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    Home Page > Movies & DVD > Okja


    70. Festival del Cinema di Cannes (17-28 Maggio 2017) - Preview in English by Peter Debruge ( - Dal 28 Giugno sulla piattaforma Netflix

    (Okja; SUD COREA/USA 2017; Drammatico d'avventura Sci-Fi; 118'; Produz.: Kate Street Picture Company/Lewis Pictures/Plan B Entertainment; Distribuz.: Netflix)

    Locandina italiana Okja

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    Titolo in italiano: Okja

    Titolo in lingua originale: Okja

    Anno di produzione: 2017

    Anno di uscita: 2017

    Regia: Joon-ho Bong

    Sceneggiatura: Joon-ho Bong e Jon Ronson

    Cast: Lily Collins (Red)
    Jake Gyllenhaal (Dr. Johnny Wilcox)
    Paul Dano (Jay)
    Tilda Swinton (Lucy Mirando)
    Giancarlo Esposito (Frank Dawson)
    Seo-Hyun Ahn (Mija)
    Steven Yeun (K)
    Shirley Henderson (Jennifer)
    Devon Bostick (Silver)

    Costumi: Se-yeon Choi e Catherine George

    Scenografia: Ha-jun Lee e Kevin Thompson

    Fotografia: Darius Khondji

    Montaggio: Meeyeon Han (editor sul set); Jin-mo Yang

    Effetti Speciali: Kyung-soo Park (supervisore); Dongho Lee

    Makeup: Rebeccah Delchambre (direttrice); Louise McCarthy (direttrice unità di New York)

    Casting: Jenny Jue

    Scheda film aggiornata al: 30 Maggio 2017


    In breve:

    Mija è una giovane ragazza che deve rischiare il tutto per tutto per evitare che una potente multinazionale la separi per sempre dal suo migliore amico, un enorme animale di nome Okja.


    Meet Mija, a young girl who risks everything to prevent a powerful, multi-national company from kidnapping her best friend - a massive animal named Okja.

    For 10 idyllic years, young Mija (An Seo Hyun) has been caretaker and constant companion to Okja-a massive animal and an even bigger friend-at her home in the mountains of South Korea. But that changes when a family-owned multinational conglomerate Mirando Corporation takes Okja for themselves and transports her to New York, where image obsessed and self-promoting CEO Lucy Mirando (Tilda Swinton) has big plans for Mija's dearest friend. With no particular plan but single-minded in intent, Mija sets out on a rescue mission, but her already daunting journey quickly becomes more complicated when she crosses paths with disparate groups of capitalists, demonstrators and consumers, each battling to control the fate of Okja...while all Mija wants to do is bring her friend home. Deftly blending genres, humor, poignancy and drama, Bong Joon Ho (Snowpiercer, The Host) begins with the gentlest of premises-the bond between man and animal-and ultimately creates a distinct and layered vision of the...

    Commento critico (a cura di Peter Debruge,

    A young girl is devastated to discover that her beloved 'super pig' was little more than a publicity stunt for the genetically modified food industry in this heavy-handed parable.

    Most people think the problem with genetically modified food is that consumers don’t know what they’re eating, but if you ask Korean director Bong Joon-ho (“The Host”), the real trouble is that some of these lab-engineered animals might actually make perfectly fine pets — because what kid wouldn’t want to have a hippopotamus-sized miracle pig as a new best friend? Downright charming at times and irrepressibly gonzo at others, “Okja” hews to an all-too-familiar trajectory — the kind seen in countless children’s movies — as a bunch of mean meat-eaters attempt to separate a girl named Mija (An Seo-hyun) from her precious “super pig.”

    A century from now, the citizens of the future will look back and judge the current era

    for our eating habits. Oddly enough, even though many in the filmmaking community have strong feelings about respecting animals’ rights not to become dinner, the cause seldom finds its way on screen, which is perhaps the thing that sets “Okja” apart from, say, Paramount’s “Monster Trucks” — well, that and a potbellied Jake Gyllenhaal playing an in-your-face TV host; a guerrilla animal-rights group led by Paul Dano; and a double-dose of Tilda Swinton as a pair of ruthlessly competitive twins.

    Of these two Swinton characters, we meet good sister Lucy first, outfitted in Chanel and lisping through braces as she announces the publicity stunt that could save Monsanto — er, “Mirando Corporation,” an agrochemical company that manufactured nerve gas during the war, but has since cleaned up its act, sort of. Mirando now specializes in genetic engineering, having tweaked a breed of Chilean pig until it grows the size of a

    safari animal. Lucy’s plan is to distribute “thwenty-sith miracle pigleths” to different farmers around the world and see which one grows up to be the biggest, fattest and tastiest.

    Fast forward a decade to somewhere far from Mirando HQ, where Mija lives in a state of total naïveté, spending her days at Okja’s side. These are charming scenes, reminiscent of “Pete’s Dragon” (as she tosses real fruit to the animated creature) and “My Neighbor Totoro” (right down to the way Mija naps on the giant beast’s belly), featuring great visual effects work on the creature, designed to look adorably dog-like. Early on, Bong encourages us not only to fall in love with Okja, but also to recognize the animal’s unusual sensitivity and intelligence, inserting a manipulative scene of animal altruism in which Okja risks her life to save her owner (when, more likely, both would have ended up dead).

    Ah, those were

    the days — before Mija realized her super pig was destined to become super pork. Like the unsuspecting turkey that enjoys a spoiled life being fattened only to get a rude awakening the day before Thanksgiving, neither Mija nor her enormous pet has any idea what’s in store for Okja — which makes the young girl all the more devastated when Dr. Johnny (Gyllenhaal, sweaty and screechy in a performance that’s three times as weird as it needs to be) shows up to meet Okja and bring her back to New York City. Naturally, Mija wants to recover Okja, and so she sets off, armed with her solid-gold dowry, to beg, steal or buy back the big pig.

    If all of this sounds like a pretty routine kids movie, that would be true, if not for the steady use of the “F-word” and a few eruptions of rather intense violence —

    no less distressing because Dano’s Jay and his ski-masked Animal Liberation Front are so apologetic during their attacks, politely insisting that they never meant to hurt anyone. There’s also a tough-to-stomach scene in which Okja is introduced to her “boyfriend,” resulting in some rough breeding. Bong has clearly included this scene just to upset, since Okja is sent to the slaughterhouse long before she could have piglets. And then, of course, there are the horrors of the slaughterhouse itself, in which hundreds of super pigs are penned in what looks like the yard of a German concentration camp, then carved up for meat inside.

    Whether genetically modified or not, most people don’t want to know where their food comes from, but Bong insists, creating a sequence that’s more frightening than anything in “The Host.” If Upton Sinclair’s “The Jungle” was able to galvanize the public into insisting upon reform in the

    meat-packing industry, perhaps “Okja” could bring about change as well — though it’s important to remember that Sinclair was more concerned with the working conditions in such factories than the ethics of what we eat.

    Certainly, this is a far different kind of creature feature from Bong’s “The Host,” although audiences can’t help but recognize the same mix of over-the-top flamboyance and reductive philosophy. (Toxic waste is bad! Meat is murder!) Nearly all the scenes involving Gyllenhaal and Swinton play like those unhinged Asian game shows where exaggerated personalities in eyesore costumes hyperventilate on camera. It’s Bong’s prerogative, but still bizarre to see Westerners depicted this way, and Swinton in particular seems to have beamed in from some parallel dimension. When the actress’s two characters finally meet, we expect them to clash, but instead, Hillary-haired Nancy leans in to light her sister’s cigarette, and Lucy is never heard from again.

    Shot in

    bright, cinematic widescreen by DP Darius Khondji, this Netflix-produced feature belongs on the big screen, where no one would mistake Okja for a real animal, and yet the CG is convincing enough to suspend disbelief. Bong has chosen to make Okja a larger-than-life animal, but she could just as easily be a talking pig (there’s plenty of “Babe” DNA here already) — the key is that his audience be able to recognize her soul. And yet, Mirando employees repeatedly insist that super-pig meat is quite the delicacy, which puts audiences in the strange position of wondering how the movie’s main character might taste.

    Perle di sceneggiatura


    • Jake Gyllenhaal

    • Tilda Swinton

    • Paul Dano

    • Lily Collins


    Galleria Video:

       Trailer Ufficiale in Inglese in HD di OKJA

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