68° Festival del Cinema di Cannes (13-24 maggio 2015) - DAILY: giovedì 14 Maggio 2015
IN CONCORSO IL RACCONTO DEI RACCONTI di MATTEO GARRONE, FUORI CONCORSO MAD MAX: FURY ROAD di GEORGE MILLER, con TOM HARDY e CHARLIZE THERON
14/05/2015
- IN COMPETITION - ONCE UPON A TIME... MATTEO GARRONE and his baroque fables
the 14.05.2015 at 9:00 AM - Updated on 14.05.2015 at 9:10 AM
Seven years after Gomorra, and three years after Reality, winners of the Grand Prix du Jury in 2008 and in 2012, the director brings us Il Racconto dei Racconti (Tale of Tales), inspired by the Pentameron, a collection of 17th century fables inhabited by sea monsters, giants bats and fleas, marvelous castles and mazes. Anything but bland, the tales are often savagely realistic and sprinkled with a fair dose of cruelty.
SCREENINGS
Thursday 14 May / Grand Théâtre Lumière / 11:30am - 10:30pm
CANNES CLASSICS - The Third Man and the Zither
the 14.05.2015 at 9:00 AM - Updated on 14.05.2015 at 9:12 AM
66 years after scooping the Grand Prix at the Festival de Cannes, The Third Man by British filmmaker Carol Reed returns to Cannes Classics in a restored version. Orson Welles would have celebrated his 100th birthday this year.
OUT OF COMPETITION - MAD MAX: FURY ROAD gets out the big guns on the Croisette
the 14.05.2015 at 9:00 AM - Updated on 14.05.2015 at 9:08 AM
Over 30 years after his first sortie, Mad Max returns in better form than ever. The film by Australian Georges Miller features a stupendous cast including, amongst others, Tom Hardy and Charlize Theron.
Screenings
Thursday 14 May / Grand Théâtre Lumière / 8.30 am - 7.30 pm
CANNES CLASSICS - An elevator to the gallows: when Louis Malle met Miles Davis
the 14.05.2015 at 9:00 AM - Updated on 14.05.2015 at 9:14 AM
In 1956, Louis Malle and Jacques-Yves Cousteau scooped the Palme d’or for The Silent World. Two years later saw the release of Elevator to the Gallows, a detective film featuring Jeanne Moreau and Maurice Ronet.
UN CERTAIN REGARD - One Floor Below, interview with Radu Muntean
the 14.05.2015 at 9:00 AM - Updated on 14.05.2015 at 9:11 AM
Five years after Tuesday, After Christmas (Marti, dupa craciun), a stylised, intimate drama on the theme of the couple and adultery, the Romanian film-maker Radu Muntean has returned to compete in Un Certain Regard with the story of a man who witnesses his neighbour commit a crime and finds himself face to face with a profound dilemma: whether to reveal everything to the police or keep quiet.
SCREENINGS
Thursday 14 May / Salle Debussy / 2.30 pm - 11.00 pm
COMPETITION - Hirokazu Kore-Eda explores blood ties
the 14.05.2015 at 9:00 AM - Updated on 14.05.2015 at 9:09 AM
The Japanese filmmaker continues his subtle exploration of the inner workings of family life with this portrait of three woman who discover the existence of their half sister. Our Little Sister follows on from Like Father, Like Son – a sensitive take on fatherhood, which won the Jury Prize in 2013.
SCREENING
Thursday 14 May/ Grand Théâtre Lumière / 4pm
UN CERTAIN REGARD - Interview with Naomi Kawase, director of An
the 14.05.2015 at 9:00 AM - Updated on 14.05.2015 at 9:11 AM
Sentaro is the manager of a bakery selling traditional Japanese pastries called dorayakis. One day, he is approached by Tokue, a woman in her 70s looking for work. He decides to take her on when he tastes her delicious sweet red bean paste. Following Naomi Kawase's sumptuous Still The Water, in competition in 2014, An is the film-maker's first adaptation and brings a novel by Tetsuya Akikawa to the screen.
SCREENINGS
Thursday 14 May / Salle Debussy / 11.00 am - 7.15 pm
CANNES CLASSICS - Orson Welles, Shadows And Light by Elisabeth Kapnist
the 14.05.2015 at 9:00 AM - Updated on 14.05.2015 at 9:11 AM
2015 marks the centenary of the birth of Orson Welles, that magnificent beast of the film world. The documentary director Elisabeth Kapnist (Sigmund Freud: l’invention de la psychanalyse in 1997, Un écran nommé désir in 2006) has unpacked the life of the prodigy in a groundbreaking exploration.
SCREENING
Thursday 14 May/ Salle Buñuel / 1pm
LA REDAZIONE
Fonte: Sito Ufficiale Festival del Cinema di Cannes
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