ARCHIVIO HOME PAGE

SPECIALI

FLASH NEWS

  • • Ultime News
  • • Archivio News
  • ANTEPRIME

    RITRATTI IN CELLULOIDE

    MOVIES & DVD

  • • In programmazione
  • • Di prossima uscita
  • • New Entry
  • • Archivio
  • • Blu-ray & Dvd
  • CINEMA & PITTURA

    CINESPIGOLATURE

    EVENTI

    TOP 20

  • • Films
  • • Attrici
  • • Attori
  • • Registi
  • LA REDAZIONE

    • Registi

    • Attori

    • Attrici

    • Personaggi

    • L'Intervista

    • Dietro le quinte

    E poi c'è Katherine

    E POI C'E' KATHERINE

    New Entry - Tra i più attesi!!! - Soprannominato da "Vanity Fair" 'Il .... [continua]

    Wasp Network

    WASP NETWORK

    New Entry - 76. Mostra del Cinema di Venezia - CONCORSO .... [continua]

    The Laundromat

    THE LAUNDROMAT

    76. Mostra del Cinema di Venezia - CONCORSO - The Laundromat (lett. La lavanderia) .... [continua]

    Joker

    JOKER

    Tra i più attesi!!! - 76. Mostra del Cinema di Venezia - CONCORSO .... [continua]

    Marriage Story

    MARRIAGE STORY

    New Entry - 76. Mostra del Cinema di Venezia - CONCORSO .... [continua]

    Eurovision

    EUROVISION

    New Entry - 2020 .... [continua]

    J'accuse (L'ufficiale e la spia)

    J'ACCUSE (L'UFFICIALE E LA SPIA)

    New Entry - 76. Mostra del Cinema di Venezia - CONCORSO - Dal .... [continua]

    Home Page > Movies & DVD > La legge della notte

    LA LEGGE DELLA NOTTE

    Quelli che... ci fermano a TRAILER e CLIP - Al pubblico l'ardua sentenza - Preview in English by Owen Gleiberman (www.variety.com) - Dal 2 Marzo

    (Live by Night; USA 2016; Drammatico; 128'; Produz.: Appian Way Productions/Warner Bros.; Distribuz.: Warner Bros. Pictures Italia)

    Locandina italiana La legge della notte

    Rating by
    Celluloid Portraits:



    Synopsis
    Trailer

    Titolo in italiano: La legge della notte

    Titolo in lingua originale: Live by Night

    Anno di produzione: 2016

    Anno di uscita: 2017

    Regia: Ben Affleck

    Sceneggiatura: Ben Affleck

    Cast: Ben Affleck (Joe Coughlin)
    Elle Fanning (Loretta Figgis)
    Brendan Gleeson (Thomas Coughlin)
    Chris Messina (Dion Bartolo)
    Sienna Miller (Emma Gould)
    Zoe Saldana (Graciella Suarez)
    Chris Cooper (Irving Figgis)
    Scott Eastwood (Danny Coughlin)
    Chris Sullivan (Brendan Loomis)
    Titus Welliver (Tim Hickey)
    Remo Girone (Maso Pescatore)
    Max Casella (Digger Pescatore)
    Miguel (Esteban Suarez)
    Anthony Michael Hall (Gary Smith)

    Musica: Harry Gregson-Williams

    Costumi: Jacqueline West

    Scenografia: Jess Gonchor

    Fotografia: Robert Richardson

    Montaggio: William Goldenberg

    Effetti Speciali: Adam Bellao, Roderic Duff, Wes Mattox, Patrick Edward White e Scott Willis

    Makeup: Carla Antonino, Ellen Arden, Aurora Bergere, Rocky Faulkner, Noel Hernandez, Shantel Jordan, Denise Paulson, Don Rutherford e Leo Satkovich

    Casting: Sasha Adkinson, Lora Kennedy, Mindy Marin e Jill Scott

    Scheda film aggiornata al: 12 Marzo 2017

    Sinossi:

    Il film è ambientato nei ruggenti anni '20 quando il Proibizionismo non riesce a fermare il fiume d'alcool che invade gli speakeasy della mala. Chiunque con abbastanza ambizione e nervi saldi ha l'opportunità di ottenere rapidamente potere e denaro e così Joe Coughlin, il figlio di un commissario della Polizia di Boston, da tempo ha voltato le spalle alla sua rigida educazione per diventare un fuorilegge. Però perfino tra i criminali esistono delle regole e Joe infrange la più grande: incrocia il suo cammino con un potente boss, rubandogli soldi e donna. L'incontro finisce in tragedia, conducendo Joe su un percorso di vendetta, ambizione, amore e tradimenti che lo costringe a lasciare Boston per Tampa e i suoi contrabbandieri di rum.

    Synopsis:

    A story set in the Prohibition Era and centered around a group of individuals and their dealings in the world of organized crime.

    Boston, 1926. The '20s are roaring. Liquor is flowing, bullets are flying, and one man sets out to make his mark on the world. Prohibition has given rise to an endless network of underground distilleries, speakeasies, gangsters, and corrupt cops. Joe Coughlin, the youngest son of a prominent Boston police captain, has long since turned his back on his strict and proper upbringing. Now having graduated from a childhood of petty theft to a career in the pay of the city's most fearsome mobsters, Joe enjoys the spoils, thrills, and notoriety of being an outlaw. But life on the dark side carries a heavy price. In a time when ruthless men of ambition, armed with cash, illegal booze, and guns, battle for control, no one-neither family nor friend, enemy nor lover-can be trusted. Beyond money and power, even the threat of prison, one fate seems most likely for men like Joe: an early death. But until that day, he and his friends are determined to live life to the hilt. Joe embarks on a dizzying...

    Commento critico (a cura di Owen Gleiberman, www.variety.com)

    Ben Affleck's fourth film as a director has many of the virtues of his others, yet this Prohibition crime saga doesn't zing. Maybe because Affleck plays a ruthless gangster who is also a good guy.

    In the ten years he’s been directing movies, Ben Affleck has shown a rare ability to choose projects artfully and wisely, hitting creative and commercial growth rings with each new outing. His first film behind the camera, “Gone Baby Gone” (2007), established Affleck as a serious filmmaker with a flair for mood and performance and locale. In the soulful heist drama “The Town” (2010), he proved he could fashion a real yarn, even as he traced the fate of characters with a life below the surface. “Argo” (2012), of course, was Affleck’s home run: not just a movie that triumphed at the Oscars but one that caught the national mood — it was time

    to look back at the 1979 Iran hostage crisis — in a way that converted a (somewhat) true story of hot-button politics into a sizzling conversation piece.

    That’s a sterling track record, which is why I’m far from alone in stepping up to a new Ben Affleck film with a tingle of anticipation. But his latest movie, “Live by Night,” a stylish and bloody gangster drama set in Boston and Tampa during Prohibition, hasn’t exactly been setting the awards season ablaze, and when you see it you’ll know why. Based on a 2012 novel by Dennis Lehane, the film is sharply written and crafted, lavishly photographed, impeccably acted, with lots of twists and turns — yet for all that, it somehow lacks zing. I say “somehow” because the flaw, or limitation, or whatever it is about “Live by Night” isn’t obvious. It’s like seeing the ghost of a terrific movie: All

    the pieces are in place, yet as you’re watching it (or thinking back on it afterwards), there doesn’t seem to be quite enough there there.

    In “Live by Night,” Affleck plays Joe Coughlin, the dashing rogue son of a Boston Irish cop (Brendan Gleeson), who falls into a life of crime after getting the moral center knocked out of him by fighting in World War I. He starts by ripping off banks and card games, at which point he’s offered a job by Albert White (Robert Glenister), a hard case with scary teeth who runs the Irish Mob in Boston. Joe signs on despite the fact that he’s having a passionate affair with White’s girlfriend — a cynical chippie played with brash down-market style by Sienna Miller. That Joe is willing to carry on this relationship right under a mobster’s nose tells us two things about him: that he shrugs off

    risking life and limb; and that he’s a born romantic. When the affair is discovered, his life and limbs are indeed busted apart, but the fire in his heart still burns.

    After serving three years in prison, Joe goes to work for Albert’s Italian crime-boss rival, Maso Pescatore (Remo Girone, suggesting Don Corleone played by Bela Lugosi), who orders him to go down to Tampa and run a multi-million-dollar bootlegging racket in Cuban rum. It’s in Florida that Joe settles into his life as a killer and profiteer who runs roughshod over the competition, because whatever fear he once had was beaten out of him. When he informs a go-between that his days with the Pescatore family are over, the poor lackey (played with lived-in Southern charm by the 48-year-old — and still terrific — Anthony Michael Hall) can’t believe what he’s hearing; the way Joe uses words to smack him

    around reminds you that part of the fun of the gangster genre is listening to threats made this blithely. Joe, along with his loyal runt of a sidekick, Dion (Chris Messina), stakes out his territory with the fierce cunning of a wolf. He knows how to cozy up to the chief of police, Irving Figgis (Chris Cooper), a pious Christian who rationalizes organized crime as a branch of Southern tradition, or how to face down a member of the Ku Klux Klan, or when to speak with bullets or the butt-end of his shotgun.

    But here’s the thing about Joe: For all his Mob rule, he’s really an upstanding guy who wants his cut, wants everyone to be happy, and hasn’t stopped looking for love. Early on, he meets Graciella and Esteban Suarez (played by Zoë Saldana and the music star Miguel), a Cuban-émigré sister and brother who import the rum

    that’s distributed up north. Graciella, whom Joe has already locked eyes with at the train station, tells him that they aren’t going to be lovers. And so, of course, we wait for the two of them to fall into bed.

    They do more than that: They fall in love. With no complication! Graciella isn’t a diva, a glorified moll. Saldana, speaking in a light Cuban accent, infuses her with a refined sensuality and makes her the soul of devotion; she even plans to open a shelter for women. And though Joe’s criminal career takes him into dark areas, the whole reason he’s doing it is to keep his soul in the light. Which raises the question: Are we rooting for Joe to be a successful ’30s crime king? Or are we rooting for him to be a good man? The film wants you to do both, but it’s trying to have

    its blood-soaked rum cake and eat it too.

    A movie gangster can — and should — be a morally complex figure; it’s not like they all have to be Tony Montana. But watching “Live by Night,” it’s hard to shake the feeling that Affleck, who wrote the movie as well as directing it, was drawn to the material because it allowed him to express something personal — his desire, perhaps, to hold onto things of ultimate value (e.g., his family) in the face of his own propensity to walk on the wild side. He has tried to craft a moral tale of a gangster’s journey, but in “Live by Night” what that comes down to is that he’s telling the story of a vicious hoodlum who is actually a Boy Scout.

    The first local to challenge Joe’s authority is RD Pruitt, a loathsome racist and half-crazy outlaw goon played by Matthew Maher,

    who uses his lisp and leer to create a real Southern-fried creep. He’s the kind of guy who’s begging to be rubbed out, but he happens to be the brother-in-law of Cooper’s police chief, so he’s got protection. This forces Joe to deal from the bottom of the deck: He has in his possession racy photographs of the chief’s daughter, Loretta (Elle Fanning), whose trip to California to become an actress didn’t work out so well. The collision of racism and raunchy scandal and blackmail suggests the kind of witches’ brew that James Ellroy used to cook up, yet the more Joe sinks into the mud, the cleaner he becomes. He springs those photographs on the chief with a touch of honest regret (really? Joe is someone who shoots his enemies in the head). And once RD and his KKK cronies have been neutralized, Joe sets about his master plan

    to open a huge casino, with the hope that gambling will be legalized.

    He runs into the most ironic of stumbling blocks: Loretta, back from her descent into depravity, has become a born-again crusader against sin, and that includes gambling. She turns the whole town against him. Joe is given a direct order by Maso to “deal” with her, but he can’t. He’s too decent (or something); it’s like his tragic flaw. But it’s a flaw that comes off as a touch sappy, and it saps the movie of power.

    You could fault Affleck’s performance, but he’s become a more commanding presence under his own directorial hand — he’s focused and sharp here, and looks great in those creamy period suits — and I’m tempted to say that Affleck the actor is subtly undercut, in this case, by Affleck the behind-the-camera shaper of his own image. A different filmmaker might have encouraged

    him to go to more ominously unexpected places. There’s a lot of surface energy to the pileup of incidents in “Live by Night,” but there’s still something cautious and staid about the material. Lehane’s story, though driven by currents of vengeance and “dangerous” passion, is all a little too worked out. Joe can be ruthless when he needs to, but he never does anything that shocks us (the way ambitious underworld dramas like the “Godfather” films, “L.A. Confidential,” or “The Sopranos” have hinged on shock). More to the point, he never does anything that shocks himself. “Live by Night” is full of incidental pleasures, but it’s so meticulously engineered it only pretends to have room for reality.

    Bibliografia:

    Nota: Si ringraziano Warner. Bros. Pictures Italia e Francesco Petrucci (Press Office Coordinator-Warner Bros. Entertainment Italia)

    Pressbook:

    PRESSBOOK COMPLETO in ITALIANO de LA LEGGE DELLA NOTTE

    Links:

    • Ben Affleck (Regista)

    • Chris Cooper

    • Ben Affleck

    • Brendan Gleeson

    • Zoe Saldana

    • Scott Eastwood

    • Sienna Miller

    • Elle Fanning

    • Titus Welliver

    • Remo Girone

    1 | 2 | 3

    Galleria Video:

    La legge della notte - trailer 2

    La legge della notte - trailer

    La legge della notte - trailer (versione originale) - Live by Night

    La legge della notte - clip 'Andiamo'

    La legge della notte - clip 'Non li scegliamo noi i nostri peccati'

    La legge della notte - clip 'Incantare il Diavolo'

    La legge della notte - clip 'Libero di andare'

    La legge della notte - clip 'Mi sta minacciando'

    La legge della notte - featurette 'Il prezzo da pagare' (versione originale sottotitolata)

    TOP 20

    Dai il tuo voto


    <- torna alla pagina Movies & DVD

    Il signor diavolo

    IL SIGNOR DIAVOLO

    Un ritorno ai demoni del passato del regista Pupi Avati al romanzo gotico e a .... [continua]

    Fast & Furious - Hobbs & Shaw

    FAST & FURIOUS - HOBBS & SHAW

    RECENSIONE in ANTEPRIMA - Dall'8 Agosto

    Quale futuro per la saga 'Fast & Furious'?
    [continua]

    Hotel Artemis

    HOTEL ARTEMIS

    RECENSIONE - Oltre 27 anni dopo Il silenzio degli innocenti Jodie Foster ritorna nel mondo .... [continua]

    Felice Estate!

    FELICE ESTATE/HAPPY SUMMER!

    .... [continua]

    Felice Estate!

    FELICE ESTATE/HAPPY SUMMER!

    .... [continua]

    Felice Estate!

    FELICE ESTATE/HAPPY SUMMER!

    .... [continua]

    Felice Estate!

    FELICE ESTATE/HAPPY SUMMER!

    .... [continua]