69. Festival del Cinema di Cannes (11-22 Maggio 2016) - ANNUNCIATO IL PROGRAMMA COMPLETO DEI FILM

20 i film in Concorso, 17 in Un Certain Regard. Film d’apertura, come già annunciato, sarà Cafè Society di Woody Allen (Fuori Concorso), mentre la giuria sarà presieduta da George Miller.

14/04/2016 - Nessun film italiano è presente tra i titoli in lizza per la Palma d’Oro annunciati oggi da Thierry Fremaux al 69. Festival del Cinema di Cannes (11-22 Maggio 2016.

20 i film in Concorso, 17 in Un Certain Regard. Film d’apertura, come già annunciato, sarà Cafè Society di Woody Allen (Fuori Concorso), mentre la giuria sarà presieduta da George Miller.

Il PROGRAMMA:

CONCORSO

“Toni Erdman,” directed by Maren Ade

Julieta, directed by Pedro Almodovar

“Personal Shopper,” directed by Olivier Assayas

American Honey, directed by Andrea Arnold

“The Unknown Girl,” directed by Jean-Pierre Dardenne and Luc Dardenne

It’s Only the End of the World, directed by Xavier Dolan

“Slack Bay,” directed by Bruno Dumont
“Paterson,” directed by Jim Jarmusch
“Rester Vertical,” directed by Alain Guiraudie
“Aquarius,” directed by Kleber Mendonca Filho
“From the Land of the Moon,” directed by Nicole Garcia

I, Daniel Blake, directed by Ken Loach

“Ma’Rosa,” directed by Brillante Mendoza
“Bacalaureat,” directed by Cristian Mungiu

Loving, directed by Jeff Nichols

The Handmaiden, directed by Park Chan-Wook

The Last Face, directed by Sean Penn

“Sieranevada,” directed by Cristi Puiu
“Elle,” directed by Paul Verhoeven

The Neon Demon, directed by Nicolas Winding Refn

Hands of Stone di Jonathan Jakubowicz (proiezione speciale)

UN CERTAIN REGARD

“Varoonegi,” directed by Behnam Behzadi
“Apprentice,” directed by Boo Junfeng
“Voir du Pays,” directed by Delphine Coulin and Muriel Coulin
“La Danseuse,” directed by Stephanie di Giusto
“Clash,” directed by Mohamed Diab
“La Tortue Rouge,” directed by Michael Dubok de Wit
“Fuchi Bi Tatsu,” directed by Fukada Koji
“Omar Shakhsiya,” directed by Maha Haj
“Me’Ever Laharim Vehagvaot,” directed by Eran Kolirin
“After The Storm,” directed by Kore-Eda Hirokazu
“Hymyileva Mies,” directed by Juho Kuosmanen
“La Large Noche de Francisco Sanctis,” directed by Francisco Marquez and Andrea Testa
“Caini,” directed by Bogdan Mirica
“Pericle Il Nero,” directed by Stefano Mordini
“Captain Fantastic,” directed by Matt Ross
“The Transfiguration,” directed by Michael O’Shea
“Uchenik,” directed by Kirill Serebrennikov

FUORI CONCORSO

- Cafe Society di Woody Allen

- The BFG, directed by Steven Spielberg

- Goksung, directed by Na Hong-Jin

- Money Monster, directed by Jodie Foster

-
The Nice Guys, directed by Shane Black

PROIEZIONI SPECIALI

‘L’ultima Spiaggia,” directed by Thanos Anastopoulous and Davide del Degan
“A Chad Tragedy,” directed by Mahamat-Saleh Haroun
“The Death of Louis XIV,” directed by Albert Serra
“Le Cancre,” directed by Paul Vecchiali

PROIEZIONI DI MEZZANOTTE

“Gimme Danger,” directed by Jim Jarmusch
“The Train to Busan,” directed by Yeon Sang-Ho

2016 CANNES CRITICS’ WEEK LINEUP

SPECIAL SCREENINGS

OPENER: “In Bed with Victoria” (Justine Triet, France). Second film.

“Happy Times Will Come Soon” (Alessandro Comodin, Italy). First film.

“Apnee” (Jean-Christophe Meurisse, Turkey). First film.

COMPETITION

“Album” (Mehmet Can Mertoglu, Turkey). First film.

“Diamond Island” (Davy Chou, Cambodia-France). Second film.

“Raw” (Julia Ducournau, France). First film

“Mimosas” (Oliver Laxe, Spain). Second film.

“One Week and a Day” (Asaph Polonsky, Israel). First film.

“Tramontane” (Vatche Boulghourjian, Lebanon). First film.

“A Yellow Bird” (K. Rajagopal, Singapore). First film.

2016 DIRECTORS’ FORTNIGHT LINEUP

OPENER

Sweet Dreams (Fai bei sogni) (Marco Bellocchio, Italy).

After unveiling “Blood of My Blood” in competition at Venice last fall, Bellochio delivers a Berenice Bejo starrer, about a boy struggling to come to terms with his mother’s death, in time. Bellocchio was last in Cannes with 2009’s “Vincere.”

FEATURE FILMS

“Divines” (Houda Benyamina).

“Endless Poesy” (Alejandro Jodorosky). Three years after Directors’ Fortnight shone the spotlight on the cult Chilean director, debuting both his autobiographical “The Dance of Reality” and “Jodorowsky’s Dune,” a documentary about his ambitious, yet never-realized plans to adapt Frank Hebert’s sci-fi novel, the section will premiere the 87-year-old auteur’s latest feature.

“Fiore” (Claudio Giovanessi) The third feature by young director Giovannesi, is a romancer set in a Southern Italian juvenile detention center where sexes aren’t supposed to mix. It’s co-produced by Italy’s Rai Cinema and Gaul’s Pupkin Production. Giovannesi made an international splash with coming-of-age drama “Alì Blue Eyes” which went to Tribeca in 2013.

“L’economie du couple” (Joachim Lafosse). The Belgian director’s intimate drama centers on a husband and wife who break up and decide to continue sharing the same roof for financial reasons. His last movie, “The White Knights,” bowed in Toronto’s inaugural competition section last fall, while his 2012 drama, “Our Children,” was critically acclaimed in Un Certain Regard.

“L’Effet aquatique” (Solveig Anspach).

Like Crazy (La pazza gioia) (Paolo Virzi).

From the director of “Human Capital” and “The First Beautiful Thing,” this lively Italian entry follows two mental patients — one claims to be a rich countess, while the other keeps her delusions to herself — who escape their institution, their subsequent encounters blurring the lines between sanity and insanity. The film entry stars Micaela Ramazzotti and Valeria Bruni Tedeschi, the Italian actress whose last directorial effort, “A Castle in Italy,” screened in competition in 2013.

“Main Dreams” (Nathan Morlando).

“Mercenaire” (Sacha Wolff).

“My Life as a Courgette” (Claude Barras). Here’s a tasty prospect: a stop-motion movie about a boy called Zucchini who’s taken away from his abusive alcoholic mother and put into a group home, where he tries to find his place among the other misfit kids. Adapted from Gilles Paris’ novel by Celine Sciamma (a master of adolescent-centric pics, whose widely admired “Girlhood” opened Directors’ Fortnight two years ago), the animated entry, a Work in Progress winner at Annecy last year, presents realist details in a highly expressionistic visual style.

“Neruda” (Pablo Larrain). One of South America’s most important young directors, Larrain reteams with “No” leading man Gael Garcia Bernal, who plays a police inspector in hot pursuit of dissident poet Pablo Naruda (played by Luis Gnecco), who served as a senator until president Gonzalez Videla outlawed communism in 1948, issuing a warrant for his arrest.

“Pyscho Raman” (Anurag Kashyap).

“Risk” (Laura Poitras). In what looks to be one of the section’s major coups, Directors’ Fortnight landed one of the festival’s few documentaries, from Oscar winning director of “Citizenfour.”

“Tour de France” (Rachid Djaidani). Following his 2012 Directors’ Fortnight sensation, “Hold Back,” Djaidani is back in Edouard Waintrop’s lineup to present this drama, about the unlikely friendship between an aging bigot (played by Gerard Depardieu) and a young rap singer who are forced to embark on a road trip across France. Sales: Cite Films.

“Two Lovers and a Bear” (Kim Nguyen).

“Les Vies de Therese” (Sebastien Lifshitz).

“Wolf and Sheep” (Shahrbanoo Sadat).

FILM MARKET:

- The Ash Lad – In the Hall of the Mountain King (Mikkel B Sandemose)

- You Disappear (Peter Schønau Fog)

CLOSING NIGHT

Dog Eat Dog (Paul Schrader, U.S.). After unveiling “Blood of My Blood” in competition at Venice last fall, Bellochio delivers a Berenice Bejo starrer, about a boy struggling to come to terms with his mother’s death, in time. Bellocchio was last in Cannes with 2009’s “Vincere.”

LA REDAZIONE